| 论唐宋的绘画思想与题材之变 |
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| 引用本文： | 邓乔彬. 论唐宋的绘画思想与题材之变[J]. 上海大学学报(社会科学版), 2005, 12(3): 80-86 |
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| 作者姓名： | 邓乔彬 |
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| 作者单位： | 暨南大学,中文系,广东,广州,510632 |
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| 摘 要： | 由唐至宋,绘画思想转变与发展主要表现在六个方面:(1)从客观转向了主观,尤重画家的人品;(2)由赞美动态、热烈、浪漫的美,提倡天才论、灵感说,转为静态、平和、现实的美,强调日积月累,得外物触发而作画;(3)唐人重情,宋画进而追求“理”;(4)唐人的画论,具有总结中古的意义,宋人作了新的开辟,有近古的色彩,(5)由唐至宋,绘画从宗教化转为文学化,宋代的文人画理论全面兴起、发展;(6)除个别著作外,唐代多零散的绘画思想,宋人则构建起系统的理论。唐宋文化之别造成了绘画题材与风格的三方面变化。
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| 关 键 词： | 唐宋 绘画思想 题材风格 变化 |
| 文章编号： | 1007-6522(2005)03-0080-07 |
| 修稿时间： | 2005-01-10 |
The Diversity of Painting Ideology and Theme in Tang and Song Dynasties |
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| DENG Qiao-bin. The Diversity of Painting Ideology and Theme in Tang and Song Dynasties[J]. Journal of Shanghai University(Social Science Edition), 2005, 12(3): 80-86 |
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| Authors: | DENG Qiao-bin |
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| Abstract: | From Tang Dynasty to Song Dynasty, the diversity of painting ideology and theme can be included into the six parts: (1) change objectivity into subjectivity, especially the painter's quality (2) change the beauty of behavior, warmth and romance into the beauty of state, calm and reality, emphasizing experienced, photographic creation (3) change the emotion into the reason (4) change the focus on the painting theory of remote antiquity into the emphasis on the painting theory of recent antiquity (5) change the religious colors into the literary colors (6) change the scattered critics into systematic critics. |
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| Keywords: | Tang and Song Dynasties ideology of painting style of theme diversity |
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