| 模拟与真实：唐代女性诗歌的双重意味 |
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| 引用本文： | 俞世芬.模拟与真实：唐代女性诗歌的双重意味[J].中国石油大学学报(社会科学版),2005,21(3):86-88. |
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| 作者姓名： | 俞世芬 |
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| 作者单位： | 浙江大学,人文学院,浙江,杭州,310028 |
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| 摘 要： | 能否真实书写女性的性情,展示属于自己的价值判断,是区分唐代女性诗歌模拟与真实的分界点。从本质而言,它体现了女诗人对男性中心文化的依附或背离。
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| 关 键 词： | 唐代 女性诗歌 男性中心文化 依附 背离 |
| 文章编号： | 1000-5951(2005)03-0086-(03) |
| 修稿时间： | 2004年11月18 |
Simulation and Objectivity: the Dual Sense in Female Poem of Tang Dynasty |
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| YU Shifen.Simulation and Objectivity: the Dual Sense in Female Poem of Tang Dynasty[J].Journal of China University Of Petroleum:Edition of Social Sciences,2005,21(3):86-88. |
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| Authors: | YU Shifen |
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| Abstract: | Whether female disposition is described objectively and their valuation is presented or not is the distinction between simulation and objectivity in female poetry of Tang Dynasty. Essentially,it is poetesses that depend on or deviate from the male-centered culture. |
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| Keywords: | disposition valuation male-centered culture depend deviate |
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