| 本雅明电影心理学理论与当代意义 |
| |
| 引用本文： | 曾忆梦.本雅明电影心理学理论与当代意义[J].重庆社会科学,2009(7):99-103. |
| |
| 作者姓名： | 曾忆梦 |
| |
| 作者单位： | 北京师范大学文学院; |
| |
| 摘 要： | 随着电影艺术的日益繁荣，本雅明的电影理论越来越受到学界的重视，但他的电影心理学理论却很少有学者进行系统研究。观众接受心理是本雅明电影心理学理论中的重要观点，对这种不同以往的接受心里，他主要通过绘画与电影的比较而得出。大众的感知觉因为电影的出现而得到了深化，同时本雅明还对电影演员的心理进行了论述。
|
| 关 键 词： | 瓦尔特·本雅明 艺术作品 电影心理学 |
Walter Benjamin's Film Theory and Its Current Meaning |
| |
| Zeng Yimeng.Walter Benjamin's Film Theory and Its Current Meaning[J].Chongqing Social Sciences,2009(7):99-103. |
| |
| Authors: | Zeng Yimeng |
| |
| Institution: | Zeng Yimeng |
| |
| Abstract: | Along with the flourishing of the movie arts, Walter Benjamin's film theory draws more and more attention from researchers,but few of them systemic study his Movie Psychology Theory. Mentality theory of audience is very important ideas in his Walter Benjamin's film theory, which is different from other accepting psycholgy, and was conclued by comparing it with paintings.The apperception of the mass has been deep for the appearance of file. Besides,he aslo probed into the movie performers' psychology. |
| |
| Keywords: | Walter Benjamin arts work movie psychology |
| 本文献已被 CNKI 维普 等数据库收录！ |
