电影：奇观还是叙事

无论理论上还是实际中的确有两类电影,即叙事和奇观。法国哲学家德勒兹（Gilles Deleuze）的电影二元范式理论,可以用来说明叙事和奇观电影。奇观和叙事是电影的两难选择吗？可否有一种电影,在奇观中完成叙事或者通俗地说,既讲述了一个好故事塑造了成功的人物,又满足观众感官感性的快乐需求。影像可以作为叙事的手段,而且与文字相比较,影像乃至奇观在叙事上具有独特的优势,奇观和叙事,并非非此即彼。奇观之下,莫忘叙事,或者视觉的快感与心灵的感动结合起来,才是电影的必然出路。

It's a Question:Spectacle or Narrative

Theoretically and practically,films can be classified into two categories,i.e.,spectacle and narrative.The dualistic paradigm theory,advocated by Gilles Deleuze,a French philosopher,can be used to interpret narrative films and spectacle films.Are they two difficult choices？ Could there be a film that completes its narration in miraculous sights,or put it simply,it tells both a nice story and satisfies the audience＇s sensitive appetite.Images can be the means of narration,compared with words,images and sights have their unique advantages,for either spectacle or narration,it＇s not an either-or decision.To combine the visual pleasure with spiritual touching is the only way for the development of films.