“兴亡今古恨，酹酒问渔樵”——从李杨故事文人诠释模式变迁看《长生殿》的主题蕴含

前人于李杨情事的解读,或偏重于史家之论,或致力于诗家抒怀.前者囿于史家视角本身的偏颇而难免偏执之讥,有些作品甚而流于庸俗与无聊;后者虽因写作者本人身世感情的融入而寄慨遥深,但"女色祸国"这一历史定论的传统惯性,又使得他们常常在重"情"与重"史"之间摇摆不定,从而在作品中于明皇深致悲悯,于杨妃却多所讥刺.洪昇之创作<长生殿>,一则是出于对前人有关李杨故事解读模式的不满,再则是欲借这一故事融入自身的身世感伤.前者构成了<长生殿>外在的文本风貌帝妃之恋("情")与安史之乱("史")的错综扭结;后者则构成了充溢于<长生殿>文本之深层的悲剧意蕴人生不永、情缘易逝、世事沧桑的人生幻灭感.

Different Explanation of Love Story and Philosophy in Long Life Palace

The past explanation of the love affair concerning the emperor LI of Tang Dynasty and his concubine YANG either focused on the respect of history or devoted to expressing poetic feeling. Among which, the former falls inevitably into extremity,some even into vulgar tastes,the latter usually sighs with deep feeling due to the author's own marriage experience . But the theory of the beauties bring disaster to state concluded from the some kings or emperors' downfall in the history sometimes makes them sway in feeling and historical facts, which leads to the deep sympathy to the Emperor LI and sarcasm to the concubine YANG. The drama Long Live Palace written by HONG Sheng showed, on one side, the author s unsatisfaction with the explanation of the love story of the emperor LI and concubine YANG, which form the language style of the drama: a complicated knot knitted by true love and military coup. One the other side, the author wanted to melt his own experience and sentiment and understanding into this story, which underlies the tragic meaning of life easily found in the drama.