| 现代乡土小说创作审美观念流变与形象塑造 |
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| 引用本文： | 轩红芹. 现代乡土小说创作审美观念流变与形象塑造[J]. 南都学坛, 2002, 22(3): 80-83 |
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| 作者姓名： | 轩红芹 |
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| 作者单位： | 郑州大学 文化与传播学院,河南 郑州 450052 |
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| 摘 要： | 以农民和农村为描写对象的乡土文学其实都是知识分子观照下的结果。从创作主体与作品的人物主体随着时代变动而不断交叉错位的角度来看现代乡土小说 ,可以看出创作主体对作品中的人物主体经过了俯视、平视、仰视的审美流变过程 ,知识者角色愈来愈灰色化。同时 ,作品中的人物主体从沉默的魂灵到觉醒的一代再一跃成为生活的主人 ,逐渐以高昂的姿态呈现
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| 关 键 词： | 现代乡土小学 创作主体 审美观念 流变 形象塑造 |
| 文章编号： | 1002-6320(2002)03-0080-04 |
| 修稿时间： | 2002-02-10 |
The aesthetic standards'''' fluidity of modern novel on native soil and characters-creating |
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| XUAN Hong qin. The aesthetic standards'''' fluidity of modern novel on native soil and characters-creating[J]. Academic forum of nandu, 2002, 22(3): 80-83 |
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| Authors: | XUAN Hong qin |
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| Abstract: | The essay examines mainly modern novel on native soil with the visual angle of the uninterrupted crisscross of author and leading character in novels which change in response to trend of the times,pointing out that author aesthetic leading character with the angle of view of overlooking Equal and upward and the role intellectual become gloomy by and by.Meanwhile the leading characters in novels go through a few great of evolution from reticent soul to awakened people to the hero of life,which appear with exalted position gradually. |
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| Keywords: | overlooking equal visual angle upward visual angle evolution |
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