| 中国古代和谐观的文化还原 |
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| 引用本文： | 王祖龙. 中国古代和谐观的文化还原[J]. 长江大学学报(社会科学版), 2001, 0(1) |
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| 作者姓名： | 王祖龙 |
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| 作者单位： | 荆州师范学院艺术学院!湖北荆州434104 |
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| 摘 要： | 本文主要从审美发生、哲学基础、伦理学内涵等三方面对中国古代和谐观进行了文化还原。和谐是从远古初民生理快感中挣脱出来的审美意识 ;作为一种美学观 ,它以“中”为正确的方法论原则 ,以“和”为其辩证法的合理内核 ,以“中和之美”为主要审美形态 ;作为一种伦理观 ,它以天人合一为最高目的论原则 ,以美善真统一为基本价值取向 ,以情理结合为典型的艺术形态。通过文化还原 ,中国古代和谐观实际上是一种以正确性原则为内在精神的具有素朴辩证精神和人文色彩的普遍的和谐观
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| 关 键 词： | 和谐观 中和之美 天人合一 文化还原 |
A Cultural Study on the Harmonious Standard in Ancient China |
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| WANG Zu-long. A Cultural Study on the Harmonious Standard in Ancient China[J]. Journal of Yangtze University(Social Sciences), 2001, 0(1) |
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| Authors: | WANG Zu-long |
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| Abstract: | This article attempts to do a cultural study on the harmonious standard in ancient China in terms of aesthetic origins, philosophical basis and ethical connotation. Harmony is an aesthetic standard that came from the physical sensation of the inhabitants in remote antiquity. As an aesthetic standard its proper methodology is 'mean', its connotation is 'harmony' and its artistic form is the beauty of 'mean' and 'harmony'; as an ethical standard its ultimate objective is to combine heaven with man, and its basic value orientation is the unity of the good and the beautiful and its typical artistic form is the combination of reason and sense. Through this cultural analysis the author concludes that the harmonious standard in ancient China is a universal one that has dialectical spirit and humanistic colors. |
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| Keywords: | harmonious standard beauty of mean and harmony heaven-and-man combination cultural origins |
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