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论20世纪80年代中国先锋戏剧的主题
引用本文:张小平.论20世纪80年代中国先锋戏剧的主题[J].大连海事大学学报(社会科学版),2010,9(1):115-118.
作者姓名:张小平
作者单位:南京政治学院军事新闻传播系,南京,210003
摘    要:20世纪80年代,中国先锋戏剧明显受到西方文化思潮和西方戏剧的影响,同时探询中国先锋戏剧的民族品格。当时中国特定的国情决定了此时的先锋戏剧多从“人”出发,对人性进行探讨,对普通人的焦灼生存状态和人的精神世界的多面性进行展示,从“人”、异化、心理、社会批判四大基点出发,在思想层面形成明显的主题性特征。

关 键 词:先锋戏剧  “人”  异化  心理  社会批判

Ideological theme of Chinese avant-garde drama of the 1980s
ZHANG Xiao-ping.Ideological theme of Chinese avant-garde drama of the 1980s[J].Journal of Dalian Maritime University:Social Science Edition,2010,9(1):115-118.
Authors:ZHANG Xiao-ping
Institution:ZHANG Xiao-ping (Dept. of Military Journalism and Communication, Nanjing Institute of Political Studies, Nanjing 210003, China)
Abstract:In the 1980s, under the influence of Western cultural trend and Western theatre, Chinese avant-garde drama sought its' national characters as well. As a result of Chinese specific national conditions at the time, "man" is the starting point of Chinese avant-garde drama. The drama devoted to explore human nature and present anxious survival conditions of ordinary people and versatilities of people's spiritual world. From the "man", alienation, psychology, social criticism of the four starting points, Chinese avant-garde drama formed distinct features of thematic treatment in the ideological level.
Keywords:avant-garde drama  "man"  alienation  psychology  social criticism
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