荒寒人生 空寂心怀——论倪瓒诗、词、画的不同风格及其成因

元末明初的倪瓒不仅以书画留名青史,他的诗词创作也颇多佳作.倪瓒的诗、词、画有着一以贯之的基调,即对人生荒寒本质的认识和寂寥心境的表现,但是由于他对这三种艺术形式的不同理解,即词以抒情,诗以言志,画则写胸中逸气,其风格和境界就有着诸多不同.简而言之,画境超逸,诗境平淡,词境沉郁.这些作品从不同的侧面表现了画家以天真坦诚之心,体味和超越人生的过程,其中有痛苦的挣扎,有理性的约束,也有对理想化境界的企望.

On the Different Styles of Poems,Ci Poems and Paintings by Ni Zan and Their Causes

Ni Zan,who lived at the end of Yuan Dynasty and beginning of Ming Dynasty,is known not only for his calligraphy and paintings,but also for his poetry.Throughout his poems,Ci poems and paintings,there is a recurrent theme of barrenness of life and loneliness of the heart.Yet,as he views poetry and painting as different artistic forms,he expresses different moods by means of these three artistic forms: there is always a sense of detachment in his paintings,a touch of calmness in his poems and a tone of gloomi...