| 情境、角色与媒介:对《人生》两版本中集市与文化馆场景的分析 |
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| 引用本文： | 张一玮. 情境、角色与媒介:对《人生》两版本中集市与文化馆场景的分析[J]. 河北学刊, 2008, 28(4) |
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| 作者姓名： | 张一玮 |
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| 作者单位： | 中国传媒大学,文学院,北京,100024 |
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| 摘 要： | 路遥的小说<人生>和由其编剧的同名电影中,均出现了富于文化意味的集市和文化馆场景,它们在艺术作品中呈现了社会转型期的城乡文化景现.也具有某种叙事潜能.借助对小说<人生>和电影<人生>的解读.研究者可以透视这两个场景的叙事功能.并在欧文·戈夫曼的传播理论基础上对其文化意味进行比较和阐释.
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| 关 键 词： | 角色 煤介 《人生》 小说 电影 |
Circumstances,roles and media:Scenes analysis of bazaar and reading room in two editions of The Life |
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| ZHANG Yi-wei. Circumstances,roles and media:Scenes analysis of bazaar and reading room in two editions of The Life[J]. Hebei Academic Journal, 2008, 28(4) |
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| Authors: | ZHANG Yi-wei |
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| Abstract: | There are meaning scenes of bazaar and reading room in Lu Yao's The Life and its film edition,which represent cultural condition and narrative potential in social transfer period.By analysis of the novel and the film of The Life,we can evaluate narrative function of the two scenes,compare and interpret their cultural significance in Erving Goffman's communication theory. |
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| Keywords: | Role Media The Life Novel Film |
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