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从符号学角度探析徽州三雕艺术
引用本文:刘云,方学兵.从符号学角度探析徽州三雕艺术[J].安徽理工大学学报(社会科学版),2012(1):93-96.
作者姓名:刘云  方学兵
作者单位:淮南师范学院美术系
基金项目:2010年度安徽省教育厅人文社科研究项目(2010sk459);淮南师范学院校级科研项目(2010QNW12)资助
摘    要:在徽州建筑环境中,徽派三雕是徽派建筑中的精华,有其独特的作用和文化价值,不仅体现了劳动人民的艺术创造水平,而且反映了时代建筑的风格和艺术。主要从符号学的角度出发,以徽派三雕为载体探析徽派三雕艺术,对徽派三雕艺术的语义价值进行研究,从添加、结合、迭代、象征与隐喻、解构与重构这五种符号设计手法上,寻求设计创造的资源空间及文化传承关系。

关 键 词:符号学  徽州  砖雕  木雕  石雕

Analysis of the art of Hui Three Carvings from semiotic perspective
LIU Yun,FANG Xue-bing.Analysis of the art of Hui Three Carvings from semiotic perspective[J].Journal of Anhui University of Science and Technology:Social Science,2012(1):93-96.
Authors:LIU Yun  FANG Xue-bing
Institution:(Department of Fine Art,Huainan Normal University,Huainan,Anhui 232001,China)
Abstract:As the essence of Anhui-style buildings,the art of Hui Three Carvings has its unique functions and cultural value in Huizhou construction environment,which manifests the level of the working people’s artistic creativity and reflects the construction style and art of the times as well.Mainly from the perspective of semiotics,this paper analyses the art of Huizhou Three Carvings,studies its semantic value,and explores the relationship between resources space and the cultural inheritance of design and creation by using five symbol design methods of addition,combination,iteration,symbol and metaphor,deconstruction and reconstruction.
Keywords:semiotics  Hui  brick carving  woodcarving  stonework
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