| 傲慢与偏见——80后作家与批评家之间的畸形互动 |
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| 引用本文： | 陈慧琼,何希凡.傲慢与偏见——80后作家与批评家之间的畸形互动[J].重庆交通学院学报(社会科学版),2011(2):69-72. |
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| 作者姓名： | 陈慧琼 何希凡 |
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| 作者单位： | 西华师范大学文学院; |
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| 摘 要： | 自2000年5月以韩寒为代表的《三重门》出版,其后历经郭敬明的《幻城》、《梦里花落知多少》,发展至以李傻傻的《红X》为代表的＂实力派五虎将＂创作,80后文学一时风起云涌。然而对于80后文学热的讨论余温,直到今天也未曾终止。从2006年的＂韩白＂之争,剖析这场论争存在发生的原因,试图通过这一现象透析今天整个文学界与批评界之间的畸形互动关系,尝试寻求一种科学的解决之道,以确立二者之间良性关系的建构。
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| 关 键 词： | 80后文学 代际隔膜 “前判断”下偏颇定位 “文学性”缺失 销售奇迹 文本回归 |
Arrogance and Prejudice Deformity of Interaction between 1980s' Writers and Critics |
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| CHEN Hui-qiong,HE Xi-fan.Arrogance and Prejudice Deformity of Interaction between 1980s' Writers and Critics[J].Journal of Chongqing Jiaotong University(Social Sciences Edition),2011(2):69-72. |
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| Authors: | CHEN Hui-qiong HE Xi-fan |
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| Institution: | CHEN Hui-qiong,HE Xi-fan(School of Literature,West China Normal University,Nanchong,Sichuan 637002,China) |
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| Abstract: | Since May,2000,HAN Han has published Triple Gate as a representative of micro novels,subsequently GUO Jing-ming's Huang Cheng,Who Knows How Many Flowers Fall and The Red X by LI Sha-sha are regarded as representative creations of The Five Powerful Writers;The 1980s' writers' literature prospered for a short while.However,the discussion about 1980s' writers' literature goes on till today.The reason of the seminar between HAN Han and BAI Hua in 2006 is discussed,through which the interactive relationship betw... |
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| Keywords: | 1980s' writers' literature intergenerational diaphragm before the judgment biased positioning lack of literariness sales miracle text regression |
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