从改编到生成：寻找文学与影视的平衡

悠久的改编历史和异常繁盛的现状,越发衬托出改编理论的尴尬,尤其是经典名著的改编。这在很大程度上是由改编术语的局限及其主观成见造成的。本文在详尽分析影视改编的种种成见与困境的基础上,提倡用文学的"影视生成"替代"影视改编"。一方面,影视生成研究包括对文本的意义生成,从艺术发生学的层面强调意义的产生、动机及过程,将改编的静态研究扭转为动态研究;从语义生成学的层面强调意义生成的修辞研究;从接受美学的层面强调接受过程的意义增殖。另一方面,生成研究也将影视的产品生成纳入到研究视野中,从产业的生态环境进行宏观的外围考察以及非艺术因素的研究。

From Adapt ation To Production: Finding a Balance Between Literature and Movies

The long history of adaptation and the present unusual flourishing state are making the present adaptation theories more awkward, esp. those theories for classical masterpieces. This state is caused to a great extent by the restriction of the adaptation terminology and the subjective bias. On the basis of detailed analysis of the various kinds of prejudice against movie and TV adaptation and the awkward situations, the present paper favors"the generation of movies and TVs" in literature instead of "the adaptation of movies and TVs". The study of the generation of movies and TVs includes the meaning generation of the text and emphasizes the produce of the meaning, the motive and the process from the perspective of artistic generation. In this way the static study of adaptation has turned into a dynamic one. The study is also a rhetorical study emphasizing the meaning generation from the perspective of sematic generation. From the perspective of receptive aesthetics the study emphasizes the meaning increase in the receptive process. The study also incorporates the products of movies and TVs into the research field. It explores microscopically the industry's ecological environment and studies the non-artistic factors.