| 宋濂的书法美学思想 |
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| 引用本文： | 吴泽顺,李义敏. 宋濂的书法美学思想[J]. 浙江师范大学学报(社会科学版), 2011, 36(4) |
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| 作者姓名： | 吴泽顺 李义敏 |
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| 作者单位： | 浙江师范大学人文学院,浙江金华,321004 |
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| 基金项目： | 国家社科基金重大招标项目“浙东学派编年史及相关文献整理与研究” |
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| 摘 要： | 宋濂不仅是元末明初之际影响深远的文学家，也是一位出色的书法家。他各体兼善，书法艺术水平卓著，同时，对于书法理论也有着独到的见解。这些见解，约而言之，主要有以下几个方面：一是关于神、气、韵的思想；二是关于法的理解；三是关于学书方法和书、画关系的理解。
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| 关 键 词： | 宋濂 书法思想 神气韵 法 |
Song Lian's Aesthetic Thoughts of Calligraphy |
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| WU Ze-shun,LI yi-min. Song Lian's Aesthetic Thoughts of Calligraphy[J]. Journal of Zhejiang Normal University:Social Sciences, 2011, 36(4) |
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| Authors: | WU Ze-shun LI yi-min |
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| Affiliation: | WU Ze-shun,LI yi-min(College of Humanities,Zhejiang Normal University,Jinhua 321004,China) |
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| Abstract: | Song Lian(1310-1381) is not only an influential writer but a remarkable calligrapher during the late Yuan(1206-1368) and early Ming(1368-1644) dynasties.He is skillful and with admirable artistic accomplishments in various calligraphic styles.Moreover,he has some original insights into the theory of calligraphy,regarding the verve of calligraphy,the understanding of calligraphic techniques,and the development of expertise in calligraphy and understanding of the relationship between calligraphy and painting. |
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| Keywords: | Song Lian calligraphy thoughts calligraphic verve techniques |
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