意境翻译论

意境是文学艺术的终极本体 ,意境论阐释从创作到接受过程中创作主体与客观世界融合所形成的艺术世界。意境是艺术创造的结果 ,获得境界靠艺术节奏来完成。意境又是艺术作品的内容 ,是所指 ;艺术节奏则是艺术的形式 ,是能指。艺术的节奏、境界是一个四维时空的统一体。作为空间的境界 ,它是一种心灵、思维的生命时空之美。从古典美学与思维科学交叉的角度来构建意境翻译理论是当今翻译学的全新课题 ,探究译者意境创造的可操作性的途径亦是新世纪象征交换的当务之急

The Artistic Conception Translation

Vision is the ultimate noumenon of literature and art. The artistic conception deals with the artistic world formed in the process of creation and reception during which the creating subject fuses with the objective world. Vision is the result of artistic creation and accomplished by means of artistic rhythm; and it is the content of artistic works, the signified; the rhythm is the artistic form, the signifier. Thus the artistic rhythm and conception constitute a four-dimens ioned time-space entity. Existing in virtual space, vision is also a kind of bea uty which is characterized by its magical charm and visionary inspiration. It is a brand-new subject of translatology to constitute the translation theory of ar tistic conception from the transdisciplinary perspective of classic poetics and noetic science. And to probe an operational method for the translator to create the vision is in urgent need in the new century, which is characterized by symbolic exchange.