| 中国美学范畴“道”之原起与嬗变 |
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| 引用本文： | 王哲平.中国美学范畴“道”之原起与嬗变[J].南昌大学学报(人文社会科学版),2002,33(2):111-116. |
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| 作者姓名： | 王哲平 |
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| 作者单位： | 南昌大学,文学院,江西,南昌,330047 |
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| 摘 要： | “道”由原初的一个具体指称 ,逐渐衍化为一个抽象的哲学概念 ,终又拓展成一个独立的美学范畴 ,其间经历了一个从具体到抽象 ,再由抽象到具体的逻辑进程。“道”贯穿于中国古典美学的整个历程 ,始终被置于无上尊崇的地位 ,并对中国古典美学民族特色的形成和文学艺术的发展具有弥足深刻的影响、制约和规范作用。
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| 关 键 词： | 美学范畴 道 原起 嬗变 |
| 文章编号： | 1006-0448(2002)02-0111-06 |
| 修稿时间： | 2002年1月15日 |
The Origin and the Evolution of the Chinese Aesthetic Category "Tao" |
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| WANG Zhe-ping.The Origin and the Evolution of the Chinese Aesthetic Category "Tao"[J].Journal of Nanchang University(Humanities and Social Sciences),2002,33(2):111-116. |
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| Authors: | WANG Zhe-ping |
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| Abstract: | Tao,and aesthetic category,which first derived from a concrete referent,and now has become an abstract philosophical concept,has undergone the logical process:from concrete to abstract,and then from abstract to concrete."Tao" has penetrated the whole process of Chinese classical aesthetics and maintained its leading place.In addition,it significantly affects,constrains and standardizes the formation of Chinese classical aesthetics and the development of Chinese literature. |
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| Keywords: | aesthetic category Tao origin evolution |
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