明清诗学批评中的雅俗论

雅俗论是我国古典诗学的基本批评理论之一。它在明清两代分别得到深入地阐说和流衍,这主要表现在三个方面:一是在继承前人高标去俗崇雅观念的基础上,结合诗学辨体理论对诗歌去俗崇雅予以了进一步的细致探讨;二是承传宋人以来的化俗为雅之论,对雅俗的具体转化及其相关论题、因素予以了探讨;三是出现了对雅俗之论予以消解的论说。上述几个维面,共构出了我国古典诗学雅俗之论的最后辉煌。

THEORY OF THE REFINED AND VULGAR IN POETICAL CRITICISM IN THE MING AND QING DYNASTYIES

The theory of the refined and valgar was one of basic critical theories in our ancient poetics in China.It was profoundly expounded and developed respectively in the Ming and Qing Dynasties,which means as follows:firstly,the theory of getting rid of the vulgar and revering the refined was further detailelly discussed in combination with the theory of Bianti in poetics on the basis of the ideas of ancestors;secondly,the concrete transformation of the refined and the vulgar and their concerned factors and objects were explored based on the theory since the Song Dynasty;thirdly,there was the saying of dispelling the theory of the refined and vulgar.All mentioned above formed the final glory of the theory of the refined and vulgar in ancient poetics in our country.