| 叶燮对“园林模仿绘画”成规的质疑 |
| |
| 引用本文： | 邱春林.叶燮对“园林模仿绘画”成规的质疑[J].福建农林大学学报(哲学社会科学版),2005,8(2):89-91. |
| |
| 作者姓名： | 邱春林 |
| |
| 作者单位： | 清华大学美术学院,北京,100084 |
| |
| 摘 要： | 随着古典隐逸别业逐步发展成熟为世俗化的明清私家园林形式,"园林模仿绘画"的观念也成为造园实践中的定规。生活于清初的叶燮对这一流行观念以及与此相关的造园时弊,进行了理性地批判。研究他的造园思想有助于人们立足造园本体,反思私家园林衰微的原因。
|
| 关 键 词： | 叶燮 取法自然 隐逸别业 私家园林 世俗化 |
| 文章编号： | 1671-6922(2005)02-0089-03 |
| 修稿时间： | 2004年12月20 |
Ye Xie's query about the regulations of garden imitating painting |
| |
| QIU Chun-lin.Ye Xie's query about the regulations of garden imitating painting[J].Journal of Fujian Agriculture and Forestry University,2005,8(2):89-91. |
| |
| Authors: | QIU Chun-lin |
| |
| Abstract: | With classical villa developing into secular Ming-Qing dynasty private garden, the regulations of garden imitating painting had become the principle of garden making. Ye Xie, a scholar lived in the beginning of Qing dynasty, animadverted on the popular notion. The research on his notion of garden making will benefits us of tracing back to the reasons of private garden's decadency from the perspective of garden making. |
| |
| Keywords: | Ye Xie naturalization villa private garden secularity |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
