| 格式塔质与意境 |
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| 引用本文： | 赵德鸿. 格式塔质与意境[J]. 佳木斯大学社会科学学报, 2003, 21(6): 75-76 |
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| 作者姓名： | 赵德鸿 |
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| 作者单位： | 哈尔滨师范大学,呼兰学院,黑龙江,呼兰,150500 |
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| 摘 要： | 通过格式塔质的思维模式与意境的审美想象空间存在的超越性比较,把握我国传统文论中独特的意境营造和鉴赏,特别是在诗词、绘画、雕塑、舞蹈、书法、建筑、音乐等诸多艺术门类中表现出的至境形态。各门艺术也因意境而找到了共同可以交流的语言。
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| 关 键 词： | 格式塔质 意境 想象空间 |
| 文章编号： | 1007-9882(2003)06-0075-02 |
| 修稿时间： | 2003-09-03 |
Theory of Completeness and Creative Concept |
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| ZHAO De-hong. Theory of Completeness and Creative Concept[J]. Journal of Social Science of Jiamusi University, 2003, 21(6): 75-76 |
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| Authors: | ZHAO De-hong |
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| Abstract: | Through the superior comparison between the reasoning mode of the theory of completeness and imaginative space of aesthetic standards of creative concept, to master the peculiar creation and appreciation of creative concept in our traditional literal theories, especially in the art fields of poetry, painting, sculpture, dancing, handwriting, architecture and music, etc. they have risen to the perfect level. All the arts have already obtained the common language for exchanging through creative concept. |
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| Keywords: | theory of completeness creative concept imaginative space |
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