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《家》:用艺术创作作为斗争武器的典范——写于《家》出版75周年之际
引用本文:戴翊.《家》:用艺术创作作为斗争武器的典范——写于《家》出版75周年之际[J].宁波大学学报(人文科学版),2009,22(2):12-14.
作者姓名:戴翊
作者单位:上海社会科学院文学研究所,上海,200233
摘    要:流行于1928年以后的“革命文学”在艺术上由于公式化、概念化、纯粹的政治鼓动而失败;而巴金的《家》不走“革命文学”的套路,在坚实的生活基础上,以真实而又生动的生活画面,深刻揭露封建礼教的罪恶,并成功地塑造了高老太爷、觉新、觉慧等不同社会意义的典型形象,因而成为中国现代文学史上的一部经典作品,也成为以艺术创作作为斗争武器的典范。

关 键 词:《家》  巴金  创作初衷  生活基础  艺术典型

Family-A Work of Art Best Manifesting the Spirit of Fighting with the Weapon of Art
DAI Yi.Family-A Work of Art Best Manifesting the Spirit of Fighting with the Weapon of Art[J].Journal of Ningbo University(Liberal Arts Edition),2009,22(2):12-14.
Authors:DAI Yi
Institution:Institute of Literature;Shanghai Academy of Social Sciences;Shanghai 200233;China
Abstract:So-called "Revolutionary Literature'prevailing since 1928 ended up in failure as a result of its lack of artistic creativeness and its pure political uproar. However, Ba Jin's Family, refusing to follow the example of"Revolutionary Literature", reveals the evils of feudal canon and creates figures of great social significance like Old Lord Gao, Juexin and Juehui based on reality and real life. It thus has become a classical works in modem Chinese literature as well as a good manifestation of the spirit of fighting with the weapon of art.
Keywords:Family  Ba Jin  motive of creating  the basis of life  artistic prototype  
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