| 论陈与义南渡后诗歌的意象营造 |
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| 引用本文： | 杭勇. 论陈与义南渡后诗歌的意象营造[J]. 学术交流, 2011, 0(5) |
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| 作者姓名： | 杭勇 |
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| 作者单位： | 大连大学文学院,辽宁大连,116622 |
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| 摘 要： | 善于营造意象是陈与义南渡后诗歌创作的一个显著特点,其中具有典型意义的意象主要有两类:一类主要是秋、暮两个意象,表达诗人对时局战乱和社会衰败的感伤,另一类主要是白发、拐杖、孤鸟,体现了诗人饱经战乱漂泊艰辛后苍老衰败的心态.这些意象总体呈现出一种苍老衰败、冷寂孤独格调,也折射出时代动乱与衰败的影子,使得陈与义南渡诗歌呈现出凄凉苍楚的艺术风貌,体现了诗人在战乱漂泊中独特的生活感受和创作取向.
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| 关 键 词： | 陈与义 诗歌 意象 |
On Chen Yuyi's Image Creation of Poetry after Southward Migration |
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| Hang Yong. On Chen Yuyi's Image Creation of Poetry after Southward Migration[J]. Academic Exchange, 2011, 0(5) |
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| Authors: | Hang Yong |
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| Affiliation: | Hang Yong(College of Humanities,Dalian University,Dalian 116622,China) |
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| Abstract: | Chen Yuyi as an expert in image creation developed the feature of his poetry creation after southward migration.His images with typical meaning can be classified into two kinds: one type,the two images about autumn and dusk expressing poet's sentiment on wars and social decay;another type,white hair,crutch and solitary bird,embodying the war-torn state of mind held by the author who had led a wandering life.These images are always under the shadow of old,declined,lonely style,reflecting the convulsions and ... |
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| Keywords: | Chen Yuyi poetry image |
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