| 中国当代艺术中的后殖民主义倾向 |
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| 引用本文： | 白鹤.中国当代艺术中的后殖民主义倾向[J].上海大学学报(社会科学版),2005,12(2):66-71. |
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| 作者姓名： | 白鹤 |
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| 作者单位： | 上海大学,艺术中心,上海,200444 |
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| 摘 要： | 近年来,中国书画艺术中出现了一种后殖民主义倾向,它具有以丑偷换拙的概念,以怪偷换变的概念,以脏偷换厚的概念,以"简"偷换空灵的概念,以模式偷换风格的概念等等一系列特征。对此加以分析和批判,对弘扬中国的传统民族艺术,坚持先进文化的前进方向,了解中国传统艺术的内在特性与本质有着较为深刻的实际意义。
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| 关 键 词： | 后殖民主义 当代艺术 传统艺术 书画艺术 |
| 文章编号： | 1007-6522(2005)02-0066-06 |
| 修稿时间： | 2004年12月8日 |
The Postcolonial Tendencies of Contemporary Chinese Arts |
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| BAI He.The Postcolonial Tendencies of Contemporary Chinese Arts[J].Journal of Shanghai University(Social Science Edition),2005,12(2):66-71. |
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| Authors: | BAI He |
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| Abstract: | In recent years, Chinese painting and calligraphy feature postcolonial tendencies, i. e. emphasizing ugliness than awkwardness, strangeness than fickleness, dirtiness than thickness, terseness than emptiness, sameness than unusualness, etc. It is crucial for us to understand these tendencies so as to develop traditional arts of Chinese people, adhere to the way to the advanced culture and approach to the intrinsic qualities of Chinese traditional arts. |
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| Keywords: | postcolonialism contemporary art traditional art art of painting and calligraphy |
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