| 中国传统思维方式与声乐艺术 |
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| 引用本文： | 蔡远鸿.中国传统思维方式与声乐艺术[J].云梦学刊,2001,22(5):74-75. |
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| 作者姓名： | 蔡远鸿 |
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| 作者单位： | 岳阳师范学院,音乐系,湖南,岳阳,414006 |
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| 摘 要： | 声乐是人"身"乐器制造的过程,中国传统思维方式讲求"整体、动态、平衡"的观念及直觉体悟的方式在对声音的把握上正可以匡正西方思维方式的偏颇,对现代声乐发展有潜在的积极意义.
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| 关 键 词： | 中国传统思维方式 太极思维 中 中庸 时中 声区 |
| 文章编号： | 1006-6365(2001)05-0074-02 |
| 修稿时间： | 2001年6月4日 |
CHINESE TRADITIONAL THINKING MOLD AND THE ART OF VOCAL MUSIC |
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| CAI Yuan-hong.CHINESE TRADITIONAL THINKING MOLD AND THE ART OF VOCAL MUSIC[J].Journal of Yunmeng,2001,22(5):74-75. |
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| Authors: | CAI Yuan-hong |
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| Abstract: | Vocal music represents a harmony composing process on the subject and its body.Chinese traditional thinking mold stresses"integrate,dynamic,balanced"concept and intuitive perception,which,in respect of comprehending vocal music can rectify the bias in western thinking mold and hold a potential and active significance for the development of modern vocal music. |
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| Keywords: | Chinese traditional thinking mold Taiji thought the doctrine of the mean |
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