| 从《玉梨魂》到《伤逝》爱情悲剧的审美转变 |
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| 引用本文： | 杨高平.从《玉梨魂》到《伤逝》爱情悲剧的审美转变[J].石河子大学学报(哲学社会科学版),2005,19(2):63-66. |
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| 作者姓名： | 杨高平 |
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| 作者单位： | 石河子大学,文学艺术学院中文系,新疆,石河子,832003 |
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| 摘 要： | 该文从悲剧审美角度分析了《玉梨魂》和《伤逝》的悲剧主题、悲剧形象和悲剧意识,并认为《玉梨魂》是传统爱情理想的挽歌,《伤逝》则传达了觉醒者爱情理想的幻灭的精神困境。这两部作品均不同程度地体现了追求爱情和个性解放的思想要求,《伤逝》较《玉梨魂》更富有悲剧意蕴和现代性。
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| 关 键 词： | 内化 性格因素 原初意愿 英雄主义情结 |
| 文章编号： | 1671-0304(2005)02-0063-04 |
| 修稿时间： | 2004年9月10日 |
Aesthetic Change of Love Tragedy from YULIHUN to SHANGSHI |
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| YANG Gao-ping.Aesthetic Change of Love Tragedy from YULIHUN to SHANGSHI[J].Journal of SHIHEZI University(Philosophy and Social Science),2005,19(2):63-66. |
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| Authors: | YANG Gao-ping |
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| Abstract: | The paper analyzes the tragic thoughts,the tragic characteristics and the tragic consciousness in the novel YULIHUN and the fiction SHANGSHI,deeming that YULIHUN is the dirge for traditional love ideals, and SHANGSHI shows the sobers' spiritual predicament stemming form the ruin of modern love ideals. In these two works,love freedom and individual liberty show in different degrees, but SHANGSHI is much more tragic and modern than YULIUHUN. |
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| Keywords: | interiorization character elements original will emotion of heroism |
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