女性欲望与男性权威的建构——张资平恋爱小说的叙事模式及其文化阐释

张资平的恋爱小说可以拆解归纳为三种叙事话语模式:一是“花瓶”模式;二是“处子”追逐;三是“破鞋”原型.这三种叙事话语模式都是典型的男性中心主义话语,它是私有制下的产物,其本质是对女人独立的生命价值和意义的否定.张资平的恋爱小说,无论从文本策略、叙事姿态,还是从话语方式等方面看,都是典型的男权文化文本,体现出男权文化的价值立场.小说以各种女性在爱情、婚姻上的坎坷经历和不平命运,显示出男权文化话语霸权的巨大张力:女人在两性关系上意欲反抗和颠覆男性权威的主动出击的姿态,其最终结果却是走向事物的反面——更加有力地建构和强化了男性权威,揭示出男性本位主义价值立场之下女性生存处境的尴尬、荒诞及其悲剧性的命运.因此,张资平笔下的“新女性”充其量只是“伪新女性”,其小说的反封建意义就此被彻底消解.

The Construction of Women's Desire and Men's Authority--The Narrative Model and its Cultural Explanation of Zhang Ziping's Love Novels

After analysing Zhang Ziping's love novels, we can induce three models of narration and discourse. The first one is the "ornament" model, the second pursuing the "virgins", and the third one "loose women" archetype. These three models are all discourse of typical male-centralism. They are also an outcome of the private ownership. Their nature is to negate the value and significance of women's independent life. Whether examined from the text tactics, narrative posture, or from the style of discourse, all of Zhang's novels are the text of the male supremacy culture, and embody the stand of the male supremacy value. Through different women's experiences of frustrations and their unfair fates about love and marriage in Zhang's novels, we can see the great tensile force of the male supremacy culture and discourse. That is, women want to revolt and over turn men's authority; and they have launched an attack actively, but what they get is a negative result, which more forcibly constructs men's authority and strengthen it. Also, Zhang's novels expose that women live in an awkward and absurd situation and will always meet a tragic fate with male selfish departmentalism as the value standard. Therefore, "the new women" created by Zhang Ziping's are actually" pseudo- new women". There is no significance of anti-feudalism in his novels at all.