明代诗学论"清"

明代的主流诗学重雄浑而轻清逸 ,重李杜一脉而轻王孟统绪 ,故胡应麟论“清” ,兼容雄浑与清逸两种风格 ,注意区分“格清”与“才清” ,显示出主流诗学试图吸纳非主流诗学的趋势。将“诗为清扬”作为重大的诗学主张提出并认真加以阐述的则是竟陵派的钟惺。从理论设计看 ,竟陵派所界定的“清” ,排斥俚俗和雄浑壮阔的风格 ,既是为了规范公安派的“性灵” ,又是为了改变七子派忽视情趣的失误

On "Elegance" in Ming Dynasty's Poetry

The major poetry in Ming Dynasty focused on grandness rather than elegance, on poets LI Bai and DU Fu's poetry rather than WANG Meng's, but critic HU Ying lin's theory of"elegance in poetry" combines both styles of grandness and elegance. He distinguishes "style elegance" and "content elegance". This shows a tendency that the major poetry tries to take in non-major poetry. Another school of poets called Jingling school, whose representative is ZHONG Xing, excludes both in order to regulate the school of Gongan and correct the mistakes of the school of "seven poets".