| 夹缝中的叹息--从话语主体的角度重读《桃花扇》 |
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| 引用本文： | 沈艾娥. 夹缝中的叹息--从话语主体的角度重读《桃花扇》[J]. 宝鸡文理学院学报(社会科学版), 2005, 25(1): 68-70,74 |
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| 作者姓名： | 沈艾娥 |
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| 作者单位： | 重庆师范大学,文学与新闻学院,重庆,400047 |
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| 摘 要： | 文学是一种意识形态话语.本文力图从话语主体,即文本中的叙述者或抒情者角色和作家因素的角度,结合<桃花扇>中的历史真实与艺术真实,来揭示<桃花扇>这一历史剧创作主旨的本来面目.
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| 关 键 词： | 话语主体 作家因素 叙述者 创作主旨 |
| 文章编号： | 1008-4193(2005)01-0068-03 |
| 修稿时间： | 2004-10-09 |
A Sigh from The Narrow Crevice--Reread A Peachblossom Fan from The Angle of Subject of Text |
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| SHEN Ai-e. A Sigh from The Narrow Crevice--Reread A Peachblossom Fan from The Angle of Subject of Text[J]. Journal of Baoji College of Arts and Science(Social Science Edition), 2005, 25(1): 68-70,74 |
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| Authors: | SHEN Ai-e |
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| Abstract: | Literature is an ideology text. This thesis is trying to diclose the creation purport of A Peachblossom Fan from the angle of the subject of text, combining with the historical trueness and the artificial trueness of A Peachblossom from the angle of the subject of text, which is the relator or the expresserand the writer factor in the text. |
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| Keywords: | the subject of text historical trueness artificial trueness the purport of creation |
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