| 艺术终结论与后审美艺术 |
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| 引用本文： | 邹赞.艺术终结论与后审美艺术[J].甘肃联合大学学报(社会科学版),2007,23(3):52-55. |
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| 作者姓名： | 邹赞 |
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| 作者单位： | 新疆大学,人文学院,新疆,乌鲁木齐,830046 |
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| 摘 要： | 黑格尔的"艺术终结论"长期以来被误读,必须结合具体语境分析其深层次内涵;本雅明提倡的后审美艺术是现代性语境中对机械复制艺术的推崇;在复杂的后现代性语境中,电子媒介、日常生活审美化、消费文化等促使艺术家族内部发生分化和重组,艺术不会终结,但艺术的存在形态和审美感知都将发生改变.
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| 关 键 词： | 艺术终结论 后审美艺术 后现代主义 |
| 文章编号： | 1672-707X(2007)03-0052-04 |
| 修稿时间： | 2007年3月11日 |
Art-ending and Post-aesthetic Art |
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| ZOU Zan.Art-ending and Post-aesthetic Art[J].Journal of Gansu Lianhe University:Social Sciences,2007,23(3):52-55. |
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| Authors: | ZOU Zan |
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| Abstract: | Hegel's "critics upon art-ending" has long been misunderstood.The accurate and deeper meaning of art-ending must be analyzed in terms of specific contexts.Post-aesthetic arts,put forward by Benjamin,greatly values machinery duplicating arts in modernity.In the complicated post-modernity,the art internal family has been divided and reorganized by e-media,aestheticization of daily life and consumer culture.Arts will never come to an end.The existence pattern and aesthetic sense of arts,however,will be altered. |
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| Keywords: | art-ending post-aesthetic art post-modernity |
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