| 明清戏曲批评中的雅俗批评 |
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| 引用本文： | 胡建次.明清戏曲批评中的雅俗批评[J].西北第二民族学院学报,2006(2):118-123. |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 南昌大学中文系 江西南昌330047 |
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| 摘 要： | 雅俗批评是古典戏曲的基本批评理论之一,它在明代得到较充分的运用和阐说。曲论家们从肯定用俗、力主雅俗兼融及从文体质性比较诗、词、曲之别的角度,论及到雅俗,雅俗之论被拓展了开来。发展到清代,雅俗仍然是古典戏曲批评最重要的观照视点之一,曲论家们对雅俗与文体、雅俗与角色、雅俗与科诨、雅俗与曲作者的关系及雅俗融合、化俗为雅、超脱雅俗等论题进行了更广泛、切中的探讨,雅俗之论得到进一步的深化。
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| 关 键 词： | 明清戏曲 雅俗批评 运用 阐说 |
| 文章编号： | 1008-2883(2006)02-0118-06 |
| 修稿时间： | 2006年3月27日 |
On Refined and Popular Tastes of Drama Criticism in Ming and Qing Dynasties |
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| HU Jian-ci.On Refined and Popular Tastes of Drama Criticism in Ming and Qing Dynasties[J].Journal of The Second Northwest Institute For Ethnic Minorities(Philosophy and Social Science),2006(2):118-123. |
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| Authors: | HU Jian-ci |
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| Abstract: | The refined and popular criticism is one of the basic critical theories of classical dramas.It gained adequate application and explanation in the Ming Dynasty.The drama critics discussed refined and popular tastes from the affirming to use popular,giving every effort to the advocates of refined and popular tastes and comparing the differences between poetry and drama,which developed up to the Qing Dynasty.The drama critics proceeded the more extensive and valid discussion to the refined and popular relationship,such as styles of writing,role,fun,drama writers,and the author tries his best to do further study about defined and popular tastes of drama criticism at present. |
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| Keywords: | dramas in the Ming and Qing Dynasties refined and popular criticism application explanation |
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