| 王季烈“主腔说”理论之探讨 |
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| 引用本文： | 吴艳.王季烈“主腔说”理论之探讨[J].徐州工程学院学报（社会科学版）,2009,24(2):80-84. |
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| 作者姓名： | 吴艳 |
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| 作者单位： | 中国矿业大学,文法学院,江苏,徐州,221000 |
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| 摘 要： | 著名昆曲理论家王季烈在《螟庐曲谈》中首次提出“主腔说”。“主腔说”的提出具有一定的时代意义和理论意义。后人在王季烈“主腔说”理论基础上，对其作了更详尽和科学的阐释，并放之于实际创作中，切实地解决了昆曲曲牌的联套问题。
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| 关 键 词： | 王季烈 昆曲 主腔说 曲牌联套 曲牌音乐 |
Study on WANG Ji-lie's Theory of Major Tone |
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| WU Yan.Study on WANG Ji-lie's Theory of Major Tone[J].Journal of xuzhou Institute of Technology(Social Sciences Edition),2009,24(2):80-84. |
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| Authors: | WU Yan |
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| Institution: | WU Yan (China University of Mining Technology, Xuzhou Jiangsu 221000, China) |
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| Abstract: | WANG Ji-lie, the famous Kunqu theorist, proposed the theory of major tone firstly in his Comments on Opera by Yinlu. The proposal has certain era and theoretical significance. Based on his theoretical principle, the successors has made much more detailed and scientific interpretation about the theory, and put it into actual creation, which helped to solve the Liantao problem of Liantao in Kunqu. |
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| Keywords: | WANG Ji-lie Kunqu opera theory of major tone Qupai Liantao Qupai music |
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