| 阿多诺的音乐美学思想探析 |
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| 引用本文： | 张静静.阿多诺的音乐美学思想探析[J].徐州工程学院学报（社会科学版）,2009,24(1):59-62. |
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| 作者姓名： | 张静静 |
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| 作者单位： | 天津师范大学,文学院,天津,300387 |
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| 摘 要： | 阿多诺是法兰克福学派最重要的代表人物之一，他以其深厚的艺术造诣和音乐天赋对西方音乐进行深入思考。关于音乐的美学思想成为其思想的重要组成部分，对于这部分内容的探讨有助于我们更好地理解阿多诺思想的全貌。
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| 关 键 词： | 阿多诺 音乐美学 思想 |
On Adorno's Aesthetic of Music |
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| ZHANG Jing-jing.On Adorno's Aesthetic of Music[J].Journal of xuzhou Institute of Technology(Social Sciences Edition),2009,24(1):59-62. |
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| Authors: | ZHANG Jing-jing |
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| Institution: | ZHANG Jing-jing (School of Liberal Arts, Tianjin Normal University, Tianjin, 300387, China) |
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| Abstract: | Adorno is one of the most important representatives of Frankfurt school. With profound art accomplishments and musical genius, he has a deep thought over the western music, and the aesthetic of music is an important constitute in his ideas. Therefore, to probe his aesthetic of music can greatly help to comprehend the panorama of Adorno＇s ideas. |
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| Keywords: | Adorno aesthetic of music ideas |
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