| 关于舟山渔民画发展的思考 |
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| 引用本文： | 罗江峰.关于舟山渔民画发展的思考[J].浙江海洋学院学报(人文科学版),2003,20(3):48-51,61. |
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| 作者姓名： | 罗江峰 |
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| 作者单位： | 浙江海洋学院,浙江,舟山,316004 |
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| 摘 要： | 舟山渔民画在20世纪80年代曾有过辉煌,而在90年代发展是滞后的.在现代意识支配下,渔民画应该融合千百年来积淀着东西方人的审美观念来领悟和感受现代民间艺术的真谛,加深对形的张力的理解、变形的旨趣和色彩的强度.同时,艺术的创新要迎合现代市场运作规律,整合优势,从而使渔民画呈良性发展.
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| 关 键 词： | 舟山群岛 渔民画 现状 对策 |
| 文章编号： | 1008-8318(2003)03-0048-04 |
| 修稿时间： | 2003年1月7日 |
Ponderance over the Growth of Fisherman Paintings in Zhoushan |
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| LUO Jiang-feng.Ponderance over the Growth of Fisherman Paintings in Zhoushan[J].Journal of Zhejiang Ocean University(Humane Science),2003,20(3):48-51,61. |
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| Authors: | LUO Jiang-feng |
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| Abstract: | The fisherman paintings in Zhoushan were once prosperous in the 1980s, but its development in the 1990s was backward. Dominated by modem consciousness, the fisherman painting should mingle both easterners and westerners' aesthetic conceptions formed in the course of hundreds of years to understand and appreciate the true meaning of the modem folk art, in order to further comprehend the tension of shape, the purport of transform and the intensity of colour. Besides, the initiative of art must cater for the operation law of modern market. All the advantages should be amassed to develop the fishmen painting in a proper way. |
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| Keywords: | Zhousnan Archipelago fishennan painting stutus quo countermeasures |
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