| 论《红烛》到《死水》的抒情基调演变 |
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| 引用本文： | 许霆.论《红烛》到《死水》的抒情基调演变[J].盐城师范学院学报,2005,25(1):61-67. |
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| 作者姓名： | 许霆 |
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| 作者单位： | 常熟理工学院 江苏常熟215500 |
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| 摘 要： | 《红烛》和《死水》分别是闻一多前期和后期新诗创作的结集,两本诗集在抒情基调和风格方面演变轨迹非常明显,其演变主要表现为从情绪热烈到情绪节制,从浪漫化到现实性,从偏向个体性到重视普遍性。它深刻地反映了闻一多在诗学观念和审美情趣方面的进展,是客观社会环境的强烈刺激、近代英美诗风的直接影响和整体美学思想的矛盾运动的结果。
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| 关 键 词： | 《红烛》 《死水》 抒情基调 演变 |
| 文章编号： | 1003-6873(2005)01-0061-07 |
| 修稿时间： | 2004年7月25日 |
On the Development of Lyric Mood From Red Candle to Dead Water |
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| XU Ting.On the Development of Lyric Mood From Red Candle to Dead Water[J].Journal of Yancheng Teachers College(Humanities & Social Sciences Edition),2005,25(1):61-67. |
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| Authors: | XU Ting |
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| Abstract: | The lyric mood and style of poetry anthologies Red Candle and Dead Water, the early and late works of Wen Yi-duo (1899-1945), show a sharp transition from ardency to restraint, from romance to reality, and from person to public. This change is considered as the result of the development of the poet's concepts and aestheticism, of the stimulus of the society, and of the direct influence of Anglo-US poetic genres. |
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| Keywords: | Red Candle Dead Water lyric mood development |
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