| 中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》 |
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| 引用本文： | 李良中.中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》[J].西华大学学报(哲学社会科学版),2008,27(3). |
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| 作者姓名： | 李良中 |
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| 作者单位： | 乐山师范学院科研处,四川乐山,614004 |
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| 基金项目： | 乐山师范学院校科研和教改项目 |
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| 摘 要： | 钱钟书的<中国诗与中国画>,用绘画领域李思训的北宗、王维的南宗,来对应诗歌领域写实派的杜甫、神韵派的王维,说明中国旧诗、画在正宗、正统批判标准上存在分歧.实际上,绘画的"南、北宗说"编排体系混乱,且"南、北宗说"主要是针对山水画,难以概括整个绘画领域的全貌,因而在推理上存在以偏概全的漏洞.对于中国旧诗而言,钱钟书赞同"神韵无处不在"之说,那么杜诗也就成了最富神韵的典范,就不能与王诗的神韵构成对立.中国诗坛的头把交椅虽然不是王维,但广义上的神韵派却堪称中国旧诗的正统.
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| 关 键 词： | 南宗 北宗 神韵 正宗 正统 中国诗 诗画 地位 钱钟书 中国画 Tradition School Orthodox Position Absolute Painting Poem Chinese Ancient Qian Zhongshu Reading 诗坛 构成 诗的神韵 杜诗 |
Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition——On Reading Qian Zhongshu's Chinese Poems and Chinese Paintings |
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| LI Liang-zhong.Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition——On Reading Qian Zhongshu''s Chinese Poems and Chinese Paintings[J].Journal of Xihua University:Philosophy & Social Sciences,2008,27(3). |
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| Authors: | LI Liang-zhong |
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| Institution: | LI Liang-zhong(Department of Scientific Research,Leshan Teachers College,Leshan,Sichuan,614004) |
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| Abstract: | In his Chinese Poems and Paintings,Qian Zhongshu compares Li Si-xun's Beizong and Wang Wei's Nanzong with Du Fu's realistic poetry and Wang Wei's charming poetry.He proposes that there exist some disagreements on the standards of the orthodox school and orthodox tradition of ancient Chinese poems and paintings.Actually,the theory of painting's Nanzong and Beizong is full of confusion,and mostly refers to landscape paintings,so it is not fit for generalizing the whole characteristics of painting realm.As for... |
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| Keywords: | Nanzong Beizong poetic charming orthodox school orthodox tradition |
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