桓谭论赋与汉赋的“讽谏”传统

关于汉赋文体渊源与发展的研究,已经取得了不错的成绩,但是对汉人如何学赋、作赋、论赋的考察,还不是很充分。由桓谭《新论·道赋》可以看出,汉赋的学习、创作与评价,都有一定的规范与标准。屈原《离骚》中的"从容辞令"与"直谏"两个特点,自战国末期开始,就只有前者被继承下来。汉赋"讽谏"、"劝百讽一"的传统,至扬雄时代已经式微。但汉赋提出的"讽谏"思想,对后世文学却有深远的影响。

Huan Tan's Criticism on Hanfu and the Remonstrative Tradition of Hanfu

The research on hanfu(a rhymed classical writing originated in the Han Dynasty) has made great achievements,but not so much has been devoted to such focuses as the learning,composing,and commenting of hanfu,the disciplines and standards of which can be perceived from Huan Tan’s critical article "Dao Fu" from his Xin Lun(new comments).Qu Yuan’s Li Sao(the lament after departing) features congrong ciling(decent rhetoric) and zhijian(straightforward remonstration),and only the former had been inherited from the late Warring States.Fengjian(euphemistic remonstration) and quanbai fengyi(more encouragement than remonstration),two of the hanfu traditions,declined during the time of Yang Xiong.The fengjian of hanfu,however,has profound influence on Chinese literature.