“声、像、动”全方位组合：台湾新兴的超文本网络诗歌

蓬勃发展的网络诗歌,出现了一种鲜为人知、特别倚重技术编程语言的新兴诗歌——超文本诗歌（在台湾称为“数位诗”）。主要以台湾前卫实验为例,讨论其中四种：新具体诗（视觉诗）、多向诗、多媒体诗、互动诗。既肯定诗歌这一“新空间美学的表达方式”,其“声、像、动”全方位组合的质素对新诗多元发展带来新形式的冲击与鼓舞,也对可能来临的数字化诗歌——技术完全进驻诗歌——表示一定的担忧。

Omnibearing Combination ofSound,Video,Movement: Taiwan New Supertext Net Poems

A new poetry, rarely known and relied especially on technically programmed language appears in the vigorously developing net poems ——supertext poems （also called ＂ digit poems＂ in Taiwan）. Four kind of which are discussed in the presentpaper, with the vanguard experiment in Taiwan as the main example. They are the concrete poems（visual poems） , multiway poems, mass media poems and interactive poems. It affirms its ＂new space aesthetic way of expression＂, its impacton and encouragement to the multivariant development of new poems through its quality of the omnibearing combination of sound, video, movement, on the other hand it shows a certain measure of worry about the digitized poems that are likely to come—— about the tatal entrance into and settlement in poetry by technique.