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论百回本《西游记》的艺术形象创新--以孙悟空与猪八戒形象的艺术演进为例
引用本文:胡胜.论百回本《西游记》的艺术形象创新--以孙悟空与猪八戒形象的艺术演进为例[J].广州大学学报(社会科学版),2004,3(12):22-26.
作者姓名:胡胜
作者单位:辽宁大学文化传播学院,辽宁,沈阳,110036
摘    要:明世德堂百回本<西游记>,与之前的同类作品相比,不论是从思想性还是艺术性来说,都堪称是集大成之作.其写定者的艺术创新是全方位的,这一点从孙悟空、猪八戒两个形象的艺术演进即可一目了然.这两个形象的美学意义是在对前此形象的改造过程中逐步获得的,如果说对孙悟空进行的是"净化"处理,那么,对猪八戒则是不折不扣的"丑化",无论是"净化"还是"丑化",都显示了百回本写定者非凡的艺术功力.

关 键 词:孙悟空  猪八戒  净化  丑化
文章编号:1671-394X(2004)12-0022-05
修稿时间:2004年10月10

A study of the innovative artistic images in the hundred-episode The Journal to the West
HU Sheng.A study of the innovative artistic images in the hundred-episode The Journal to the West[J].Journal of Guangzhou University(Social Science Edition),2004,3(12):22-26.
Authors:HU Sheng
Abstract:The Journal to the West undoubtedly stands out in terms of philosophy and artistic achievement compared with other works of its type. The artistic innovation is represented in an all-round way which is clearly identified in the artistic evolution of the two characters of Sun Wu-kong and Zhu Ba-jie. The aesthetic implication of the two characters are gained in the process of reforming the former images. If Sun Wu-kong is thought to result from purification, Zhu Ba-jie is surely the result of vilification. Both purification and vilification well indicate the artistic strength of the writers.
Keywords:Sun Wu-kong  Zhu Ba-jie  purification  vilification
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