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西藏佛像绘画艺术的基本文化特性
引用本文:纵瑞彬.西藏佛像绘画艺术的基本文化特性[J].西藏民族学院学报,2004,25(4):34-38.
作者姓名:纵瑞彬
作者单位:西藏民族学院民族学系、民族研究所 陕西咸阳712082
摘    要:作为西藏传统文化的感性显现,西藏佛像绘画艺术在长久的发展历程中,受外来文化因素,特别是本民族传统文化理念的交错影响,佛像绘制在一个基本的层面上形成了神圣性、规范性、象征性和装饰性等文化特性,本文力图从文化人类学的角度对这些文化特性的成因和具体形态作一全面剖析。

关 键 词:西藏  佛像绘画  文化特性
文章编号:1003-8388(2004)04-0034-05
修稿时间:2003年12月14

Basic Cultural Property of Drawing Art of Tibetan Buddhism
Zong Ruibin.Basic Cultural Property of Drawing Art of Tibetan Buddhism[J].Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition),2004,25(4):34-38.
Authors:Zong Ruibin
Abstract:As a perceptual manifestation of Tibetan traditional culture, drawing of image of buddha of Tibet in a basic level forms cultural features of being divine, regular, symbolic and decorative, etc with influence of outer cultural factors especially mixed with the native traditional culture during the long developing process. This article attempts to analyze comprehensively the causes and concrete formation of such cultural features from the view of cultural anthropology.
Keywords:Tibet  drawing of image of Buddha  cultural property
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