| 皮尔斯符号过程中不明推论的美学维度与艺术表达研究 |
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| 引用本文： | 颜青.皮尔斯符号过程中不明推论的美学维度与艺术表达研究[J].西南大学学报(社会科学版),2010,36(2). |
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| 作者姓名： | 颜青 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | 皮尔斯的符号学是认知的符号学,人们通常关注其认知方面的问题,而忽略了其与美学相关的问题.其实,皮尔斯符号过程中的不明推论这一认知步骤,就显现出了美学的维度,它是艺术表达的基础.皮尔斯从实用主义与其符号学的关联开始,美学维度在不明推论环节显现,其包含的本质要素是符号的冲突,进而以此为基础阐释艺术和艺术作品的表达,显示了皮尔斯符号学的美学价值,可以深化对其符号学的认识.
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| 关 键 词： | 皮尔斯 符号过程 不明推论 美学维度 艺术表达 |
The Aesthetic Dimension and Artistic Representation of Abduction in Peircian Semiosis |
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| YAN Qing.The Aesthetic Dimension and Artistic Representation of Abduction in Peircian Semiosis[J].Journal of Southwest University(Humanities and Social Sciences Edition),2010,36(2). |
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| Authors: | YAN Qing |
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| Institution: | YAN Qing(School of Literature , Journalism,Sichuan University,Chengdu 610064,China) |
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| Abstract: | Charles Sanders Peirce's Semiotics is designed to be cognitive theory concerned about aesthetic issues.Nevertheless,abduction in Peirce's semiosis itself has an aesthetic dimension as the basis of artistic representation.This paper starts with the relation of Peirce's Pragmatism and his semiotics,and then analyses the cognitive steps in semiosis,reveals how the aesthetic dimension of abduction emerges and what it contains is semiotic confliction.On this basis,the paper further interprets some art works so a... |
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| Keywords: | Peirce semiosis abduction aesthetic dimension artistic representation |
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