中国园林中的聆赏意识初探——以韵琴斋为例

审视了中国园林中聆赏意识的流变，归纳出中国园林自魏晋以来在“听觉”上的总体发展趋向：一方面，园林中的乐音作为声音中最人工化的类别，渐由喧转寂；另一方面，天然声在园林中成为可被感知、聆赏的要素。进而以北京北海韵琴斋（建于1757年）声环境设计为例进行剖析，其聆赏意匠也体现了以上趋向——真正的琴乐被摒除，水声被视若乐音来展现。此外按照国外新的研究视角，可发现韵琴斋设计细节与当代“声响-场所”设计有很多契合之处。

A Glimpse into the Chinese Garden in Ears——Taking the Zither Rhythm Studio as an Example

This paper examines how the Chinese garden inherently evolved in ears.There were some general inclinations being observed since the 4 th century: for one thing,the music in gardens,as the most regulated one among the sound categories,tended to fade from loudness to silence;for another,the natural sound turned into a perceptible and appreciable element in gardens.Taking the Zither Rhythm Studio(1757) in Beijing as a representative of the gardening pieces involving acoustic environment design,the stance it to...