| “讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二 |
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| 引用本文： | 邹其昌.“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二[J].湖北师范学院学报(哲学社会科学版),2005,25(1):5-10. |
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| 作者姓名： | 邹其昌 |
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| 作者单位： | 清华大学,北京,100084 |
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| 摘 要： | "兴"恰好是中国古典诠释学美学最具深远影响和意义的范畴,也是<诗经>的本质.对<诗经>的诠释基本方式就在于"讽诵涵泳","叶韵理论"的应用就有利于"讽诵涵泳"的落实 .朱熹美学的真正价值就在于对中国古典诠释学美学的创造性转进与拓展.
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| 关 键 词： | 朱熹 诗经诠释学美学 兴 讽诵涵泳 叶韵理论 |
| 文章编号： | 1009-4733(2005)01-0005-06 |
| 修稿时间： | 2004年4月15日 |
"Feng-Song-Han-Yong"and the theory of "Xie-Yun" |
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| ZOU Qi-chang."Feng-Song-Han-Yong"and the theory of "Xie-Yun"[J].Journal of Hubei Normal University(Philosophy and Social Science),2005,25(1):5-10. |
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| Authors: | ZOU Qi-chang |
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| Abstract: | The "Xing" is even the category of having the most far-reaching influence and meaning in the classical Chinese Hermeneutics Aesthetics . It is the nature of Shijing,too.The best hermeneutical method on Shijing is "Feng-Song-Han-Yong",while the theory of "Xie-Yun" has more advantage of it. The true value of Zhuxi's Aesthetics lays in which it creatively transferred and expanded the classical Hermeneutics Aesthetics of China. |
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