| 现代性与审美自觉 |
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| 引用本文： | 舒也. 现代性与审美自觉[J]. 南京大学学报(哲学．人文科学．社会科学 ), 2006, 43(1) |
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| 作者姓名： | 舒也 |
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| 作者单位： | 南京大学,哲学系,南京,210093 |
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| 摘 要： | “现代性”是一个模糊、多义的范畴,在不同的领域有着不同的特征和表现。审美自觉是现代性进程中不可忽视的一个方面,与现代性启蒙思潮的“理性崇拜”不同,审美自觉将“现代性”推进到了一个“感性解放”的阶段。现代唯美主义所主张的“为艺术而艺术”,推进了现代性视域中对于人类自由和艺术自由的理解。以“感性解放”为特征的“感性学”的建立是一种美学自觉,以“为艺术而艺术”为旗帜的现代主义则是一种艺术自觉。
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| 关 键 词： | 现代性 审美自觉 艺术自觉 |
Modernity and Aesthetic Self-awareness |
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| SHU Ye. Modernity and Aesthetic Self-awareness[J]. Journal of Nanjing University(Philosophy, Humanities and Social Sciences), 2006, 43(1) |
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| Authors: | SHU Ye |
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| Abstract: | As a vague and ambiguous concept, modernity presents various characters in different fields. As an inseparable aspect of modernity, the aesthetic self-awareness pursues modernity as emancipation of sensation rather than cult of rationality as can be seen in the Enlightenment. While the aestheticist "art for art's sake" helps to clarify the modern understanding of artistic liberty, the establishment of aesthetics proves to be an aesthetic self-awareness and the modernist art based on "art for art's sake" turns to be an artistic self-awareness. |
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| Keywords: | modernity aesthetic self-awareness artistic self-awareness |
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