| 明清福建禁戏与戏曲生存状态 |
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| 引用本文： | 田彩仙.明清福建禁戏与戏曲生存状态[J].集美大学学报(哲学社会科学版),2012,15(2):9-13. |
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| 作者姓名： | 田彩仙 |
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| 作者单位： | 集美大学文学院,福建厦门,361021 |
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| 基金项目： | 福建省社会科学规划项目 |
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| 摘 要： | 明清福建禁戏主要体现在禁淫戏、禁夜戏、禁酬神演剧等方面。禁戏反映出了统治者正统思想与民间俗文艺之间的矛盾,还体现了福建戏曲的生存状态与演变趋向。禁戏使戏曲向雅化与规范的方面发展,有着审美意义上的改进,但却给民间戏曲特有的群体性娱乐活动带来了较大的压制。
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| 关 键 词： | 福建戏曲 明清戏曲 禁戏 |
Prohibition of Fujian Operas in the Ming and Qing Dynasties and Their Survival |
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| TIAN Cai-xian.Prohibition of Fujian Operas in the Ming and Qing Dynasties and Their Survival[J].Journal of Jimei University (Philosophy and Social Sciences),2012,15(2):9-13. |
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| Authors: | TIAN Cai-xian |
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| Institution: | TIAN Cai-xian(College of Chinese Language and Literature,Jimei University,Xiamen 361021,China) |
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| Abstract: | Prohibition of Fujian operas in the Ming and Qing Dynasties mainly refers to the ban on obscene opera,night opera and god-worshipping opera.The ban well reflects the contradiction between the orthodox ideas of the ruling class then and the popular folk arts,and meanwhile shows the survival and evolution of Fujian operas.Opera prohibition made operas elegant and regulated,which improved the aesthetic value of operas.However,it restrained the folk operas which were a special mass entertainment. |
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| Keywords: | Fujian operas operas in the Ming and Qing Dynasties opera prohibition |
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