| 京剧表演程式与被规训的身体 |
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| 引用本文： | 郭玉琼. 京剧表演程式与被规训的身体[J]. 集美大学学报(哲学社会科学版), 2012, 15(2): 51-55 |
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| 作者姓名： | 郭玉琼 |
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| 作者单位： | 厦门理工学院文化传播系,福建厦门,361024 |
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| 基金项目： | 国家社科基金艺术学项目 |
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| 摘 要： | 京剧程式是京剧表演的语言,也是规训京剧演员的内容和方式。京剧样板戏通过程式建立了一套权力机制,用于规训民众的身体,从而规训民众的革命身份。民间表演对程式的解构却一定程度上削弱了权力的严肃性。
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| 关 键 词： | 京剧程式 规训 身体 |
The Programs of Peking Opera Performance and Bodily Discipline |
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| GUO Yu-qiong. The Programs of Peking Opera Performance and Bodily Discipline[J]. Journal of Jimei University (Philosophy and Social Sciences), 2012, 15(2): 51-55 |
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| Authors: | GUO Yu-qiong |
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| Affiliation: | GUO Yu-qiong(Culture Communication Department,Xiamen University of Technology,Xiamen 361024,China) |
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| Abstract: | The programs of Peking Opera is not only the language of Peking Opera performance,but also the content and style of discipline on Peking Opera performers.Model Peking Operas have established a power mechanism for people’s physical body and revolutionary identity through the programs,but the deconstruction of programs in folk performances have weakened the power to some extent. |
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| Keywords: | the programs of Peking Opera discipline body |
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