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亚里士多德《诗学》中的诗的真实性
引用本文:陈增福,伊慧明.亚里士多德《诗学》中的诗的真实性[J].吉林大学社会科学学报,2001(5).
作者姓名:陈增福  伊慧明
作者单位:通化师范学院中文系 吉林通化134000 (陈增福),通化农校 吉林通化134000(伊慧明)
摘    要:亚里士多德“摹仿”的真实涵义 ,应是艺术对大自然创造过程本身的摹仿。这实质上是艺术家以出自心灵的形式之于创造材料的实现过程。因此《诗学》中关于诗的真实问题根本上不是诗人对现实反映的正确与否 ,问题在于诗人将其形式之于材料的实现方面是否达到整一、和谐 ,以体现出诗自身内在构成的可然性与必然性的问题

关 键 词:摹仿  真实  诗的创造目的  可然律与必然律  可信

Truthfulness of Poems in Aristotle's Doetics
Chen Zengfu,Yi Huiming.Truthfulness of Poems in Aristotle''''s Doetics[J].Jilin University Journal Social Sciences Edition,2001(5).
Authors:Chen Zengfu  Yi Huiming
Institution:Chen Zengfu 1 Yi Huiming 2
Abstract:The true implication in Aristotle's mimicry is the mimicry of the art, which exists in the nature's creation itself. This, in fact, is the realization of creative material from the artist's heart. So the truthfullness problem in poetics is not the poet's reaction of being right or wrong to the reality, but that of the poet's applications of his materials which are achieved wholly and harmoniously, so that the problem of the possibilities and necessities are embodied in the structure of the poems themselves.
Keywords:mimicry  truthfulness  the purpose of the poem's creations  law of possibility and law of inevitability  trust  
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