左翼电影的艺术特征、叙事策略的市场化转轨及其与新市民电影的内在联系

左翼电影出现于1932年,到1935年,其最高代表作品《风云儿女》表明,中国左翼电影已经从整体上融宣传性、思想性和艺术性于一体,并达到了完美的统一;影片在都市意识和电影市场意识规范下的叙事策略,既是出品方电通影片公司的制片路线从左翼电影向新市民电影转化的基础,也是一年之后新市民电影全面取代左翼电影成为唯一的中国主流电影的开始,而二者间内在的文化逻辑关联值得注意。

The Inner - link between the Artistic Features of Left - Wing Films,the Marketing Orientation of Its Narrative Strategy and the Emergence of New Urban Films

The Left-wing movies emerged in 1932 and by 1935 had achieved perfection in terms of promotion of socialist morality and artistic forms,which can be seen in its most representative production "Children of Troubled Time".This film featured a narrative strategy conditioned by urban visions and motion picture marketing consciousness,thus became the basis of the Dian Tong motion picture company's switch from Left-wing to new urban films,setting the stage for new urban films to replace left-wing ones as the only mainstream Chinese film type.It is precisely the cultural logic within this transition that this paper is concerned about here.