内容表现的“日常性”与文本表达的“作者性”——论中国“第六代”导演电影风格特征

中国“第六代”导演的电影作品在题材内容上有着与意大利新现实主义电影“日常性”类似的特征，这是由具体的社会历史环境决定的。在表达方式上的特征则与法国新浪潮电影“作者性”相似。前者是存在主义哲学思潮影响下的产物，而后者则是中国“第六代”导演挣脱“第四代”、“第五代”导演“宏大历史叙述”方式后自由表达的结果。当然，由于政治经济环境、文化传承以及全球化的影响等，致使“第六代”导演的电影作品无论在形式、内容还是艺术境遇方面与二者相比也都存在着明显的差异性。只是当我们在共时的层面将他们进行横向审视时，仍然能够发现其“日常性”与“作者性”方面的突出特征。

The routine-ness of content and the author-ness of texts: the movie features of China's sixth generation of directors

The movie content of China＇ s sixth generation of directors is similar to the routine - ness of Italian neo -realist movies, as determined by social and historical conditions, while their expression is alike to the author - ness of French New - Wave movies. This paper studies the evolution as well as the politi- cal, economic, cultural and globalization causes of the movies of China＇ s sixth generation of directors, and makes a synchronic comparison between them and western movies.