| 沉默与凝视——《钢琴课》之女性主义解读 |
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| 引用本文： | 张燕玲.沉默与凝视——《钢琴课》之女性主义解读[J].淮海工学院学报(社会科学版),2013(13):116-118. |
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| 作者姓名： | 张燕玲 |
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| 作者单位： | 扬州大学 外国语学院,江苏 扬州,225009 |
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| 摘 要： | 《钢琴课》是一部从女性主义视角关注女性的生存和爱情的影片，是现代女性主义电影的经典之作。主人公艾达身上体现了父权制对女性无处不在的权力压迫，而艾达也自觉而坚定地做出了相应的抵制和抗争：从失语沉默到重拾话语，从男性凝视的客体到凝视男性的主体。文章试从失语与凝视两个方面分析艾达身上所表现出的鲜明的女性意识和反抗精神。
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| 关 键 词： | 《钢琴课》 女性主义 话语 凝视 |
Silence and Gaze:A Feminist Interpretation of The Piano |
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| ZHANG Yanling.Silence and Gaze:A Feminist Interpretation of The Piano[J].Journal of Huaihai Institute of Technology,2013(13):116-118. |
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| Authors: | ZHANG Yanling |
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| Institution: | ZHANG Yan-ling (School of Foreign Studies, Yangzhou University, Yangzhou 225009, China) |
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| Abstract: | As a typical feminist cinema, The Piano concerns the life and love of females from the feminist perspective. The female protagonist Ada was powerless in the oppressive patriarchal society. But she fought against it subconsciously with determination： she never spoke but at last she did she broke the hegemony of the ＂male gaze＂ and became the viewer of male body. This paper attempts to offer a feminist interpretation of the film from the above-mentioned two aspects. |
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| Keywords: | The Piano feminism discourse gaze |
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