电影艺术中的价值导向传达——以电影《嫁给大山的女人》为例 |
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引用本文: | 吴亚倩.电影艺术中的价值导向传达——以电影《嫁给大山的女人》为例[J].北京科技大学学报(社会科学版),2015,31(6):109-113. |
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作者姓名: | 吴亚倩 |
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作者单位: | 山西传媒学院 编导系, 山西 太原 030600 |
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摘 要: | 文章从电影《嫁给大山的女人》所引起的网络争论入手,采用案例分析与比较研究的方法,从剧情细节处分析,力求基于此片探讨一个电影发展的现状。那就是电影作为一种年轻的艺术形式,本身具有传播广泛、易于接受的特点,在其娱乐大众的作用之外,我们更应意识到它巨大的教育功用与认知功用。同时,随着受众群体自我思考、自我判断的意识越来越强烈,电影中关于价值导向传达的问题也越来越凸显,甚至构成了电影主创人员与观众群体之间的尖锐矛盾。
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关 键 词: | 电影功用 价值导向 电影《嫁给大山的女人》 艺术传播 |
收稿时间: | 2015-06-19 |
The Communication of Values Orientation in Film Art |
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Institution: | School of Radio and Film, Communication University of Shanxi, Taiyuan 030600, China |
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Abstract: | This paper based on The Story of an Abducted Woman which has been controversial on the internet recently.Accord-ing to this paper, the author mainly adopts the case analysis and comparison strategy to analyse the story line details, which has probe into the film evolutive situation.As a film as a young art of modality, it has the characteristic which is disseminated widely and accepted easily;except entertaining people, movie also has its enormous education and cognize functions.In the meanwhile, as the audience’ s self-thinking and self-judgment consciousness more intense, some value proposition problem has been emerged according to this movie, even caused the contradiction between the audience and movie creators . |
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Keywords: | the function of the film values orientation The Story of an Abducted Woman art communication |
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