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电影艺术中的价值导向传达——以电影《嫁给大山的女人》为例
引用本文:吴亚倩.电影艺术中的价值导向传达——以电影《嫁给大山的女人》为例[J].北京科技大学学报(社会科学版),2015,31(6):109-113.
作者姓名:吴亚倩
作者单位:山西传媒学院 编导系, 山西 太原 030600
摘    要:文章从电影《嫁给大山的女人》所引起的网络争论入手,采用案例分析与比较研究的方法,从剧情细节处分析,力求基于此片探讨一个电影发展的现状。那就是电影作为一种年轻的艺术形式,本身具有传播广泛、易于接受的特点,在其娱乐大众的作用之外,我们更应意识到它巨大的教育功用与认知功用。同时,随着受众群体自我思考、自我判断的意识越来越强烈,电影中关于价值导向传达的问题也越来越凸显,甚至构成了电影主创人员与观众群体之间的尖锐矛盾。 

关 键 词:电影功用    价值导向    电影《嫁给大山的女人》    艺术传播
收稿时间:2015-06-19

The Communication of Values Orientation in Film Art
Institution:School of Radio and Film, Communication University of Shanxi, Taiyuan 030600, China
Abstract:This paper based on The Story of an Abducted Woman which has been controversial on the internet recently.Accord-ing to this paper, the author mainly adopts the case analysis and comparison strategy to analyse the story line details, which has probe into the film evolutive situation.As a film as a young art of modality, it has the characteristic which is disseminated widely and accepted easily;except entertaining people, movie also has its enormous education and cognize functions.In the meanwhile, as the audience’ s self-thinking and self-judgment consciousness more intense, some value proposition problem has been emerged according to this movie, even caused the contradiction between the audience and movie creators .
Keywords:the function of the film  values orientation  The Story of an Abducted Woman  art communication
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