“威人以法不若感人以心”——论元明间“辰钩月”系列杂剧的道德化展衍趋向

元明易代，朱氏王朝对于文化思想的控制更为严格，使此一时期的戏剧创作日益表现出正人心、厚风俗的道德化取向，其中尤以元吴昌龄的《张天师夜祭辰钩月》、元末明初无名氏的《张天师断风花雪月》、明朱有墩的《张天师明断辰钩月》三部“辰钧月”系列杂剧为代表。若按创作时间先后的顺序将三剧对读，正可看出元明间戏剧不断强化道德风化的价值趋向。

Move People by Heart Rather than Threaten People by Law-The Tend of Moralization of the Series of Zaju,Chengouyue in Yuan And Ming Dynasties

With the more strictly control over the culture and ideology in Ming Dynasty,the creation of plays had showed intensely a trend towards moralization.Comparing the three dramas,Zhang Tianshi Yuji Chengouyue by Wu Changlin of Yuan Dynasty,Zhang Tishshi Duan Fenghuaxueyue by an anonymous writer at the turn of Ming Dynasty,and Zhang Tianshi Mingduan Chengouyue by Zhu Youdun of Ming Dynasty,we can feel the continually emphasied trend of morality education.